Friday, June 21, 2013

Ten-Block Walk opens tonight (6/21) and in the Boston Globe


Tonight's the night! The Ten-Block Walk opens with Facing Down Death, a collaboration between OperaHub and the Fort Point Theatre Channel. AND there's an article in the Boston Globe highlighting the event. Here's an excerpt:
Those with even a cursory knowledge of operas know that death looms large in many of them. Yet an upcoming program by the innovative company OperaHub called “Facing Down Death” offers a pairing of works that tackle the subject in unusual ways. 
First up are excerpts from “The Ten-Block Walk,” a work in progress by local composer Erin Huelskamp and librettist Christie Lee Gibson, OperaHub’s current director. The opera follows an elderly woman, Mrs. Otis, on a walk from her home to a local senior center. Her encounters along the way — with panhandlers, students, a Dunkin’ Donuts worker — bring out her anxieties, about other people, about aging, about death. The second half of the bill is Erik Satie’s “Socrate,” which tells the story of the death of Socrates with music of astonishing placidity. Both works will be done with piano accompaniment.
Read the article here. Don't forget to reserve your tickets too. From what I hear, Friday and Sunday have already sold out! 

June 21-23, 2013, 8:00 pm
Fort Point Theatre Channel
10 Channel Center Street
Boston

FREE ADMISSION!



Saturday, June 8, 2013

Review #2: “The Magic Mirror”: Window Into Another World

The Magic Mirror review #2. Here's some quotes:

The Magic Mirror succeeds, most of all, in elegance. Characters move through a sumptuous world, wandering along whirls of purple and blue on the floor, moving through dark woods and bright cottages.
Also:

Still, it’s a beautiful show. The contemporary instrumentals...define a world of sharp edges and deadly consequences. The Magic Mirror unfolds like an eerie dream...always mesmerizing for the audience.

Read the full review here:

“The Magic Mirror”: Window Into Another World


Monday, June 3, 2013

Review #1 - Magic Mirror: A Russian Sleeping Beauty Awakens

Quotes from our first review:

There is a psychologically complex horror at work here, and its unfolding is the most dramatically satisfying element of the opera. Karapetian’s Queen is full of dignity and pathos, while Weiman’s Evil Queen is terrifying, simultaneously repugnant and compelling. Red-haired, dressed in black dress and with black nail-polish, Weiman’s powerful voice, devouring smile and dramatic fearlessness fill the small space with dread and threat.
Also:

At its best, The Magic Mirror has moments where musical language and dramatic action come together thrillingly: at the decidedly un-Tristanesque potion-drinking by the King; at the Princess’s apparent death; at moments of transition in the engagement celebration...If The Magic Mirror is not quite a major re-interpretation of a popular fable, it is nevertheless an appealing, accessible and occasionally brilliant early work that should be of interest to audiences seeking new takes on traditional opera.

Read the full review here:

A Russian Sleeping Beauty Awakens