Huelskamp's Music now on YouTube

This week, I started migrating all the recordings of my music to YouTube. It's a great way to share music, and I love how I can create one big playlist of all my pieces. It also makes it incredibly easy to share the files on my website and throughout social media.

It will take me some time to upload all the videos/audio files to my list on YouTube, so check back there often. Here's the link to access the playlist:

https://www.youtube.com/playlist?list=PLlPLB_BrM-rl9lJLB6TQFYjyXUc2vHcAo

Juventas 10 Years Celebration Video

Check it out. I made a video with a slide show celebrating Juventas and their success in making it as a professional ensemble for 10 years! Comment if you like it. Thanks!

New Arrangement of Armed Forces Salute for Tampa Bay Flute Choir

Last week, I finished a new arrangement for flute choir. Armed Forces Salute, originally for concert band, is now available for flute ensemble as well as a version for flute ensemble plus percussion.

The Tampa Bay Flute Choir requested the arrangement, and they will perform it in their upcoming concert on May 22, 2016. More soon on the details of the concert.

Here is the first page of the original score:

And here is a one-page sample of the arrangement I made:

I hope to see you at the concert!

REBLOG: Analissa Martinez talks about my world premiere next week

Composer's Corner: •••••••••••••••• Erin Huelskamp: "

April 15, 2010 7:30pm

St. John's Episcopal Church

1 Roanoke Avenue

Jamaica Plains, MA

The Boston New Music Initiative presents

World Premiere of A Mind-dependent Phenomenon

for solo cello, by Erin Huelskamp

Analissa Martinez on cello

I chose this next work because it takes me out of my comfort spot behind the cello, and asks for an acted performance...but still behind the cello. It's subject matter is also very familiar territory, so an 'acted performance' is not so much necessary.

Erin calls for the intimate moments for a musician in a practice room. The phenomenon of Time passes, slowly or quickly. We procrastinate, play around, stomp, sing and show off.

I display the unpleasantries of time passing by while practicing...and I get to show off some cello rockstar moves interpolated with the ticking of time passing.

Thanks Erin!

About Erin:

Energetic, hardworking and enigmatic, Erin Huelskamp (b. 1982) composes dramatic and comical music that often reflects a philosophical twist on her daily experiences. Co-founder and executive director of the Juventas New Music Ensemble, Ms. Huelskamp voraciously promotes new music – especially by amazing unknown composers – and she strives to draw ever new audiences to the burgeoning sounds of the 21st century....

Trained as a classical dancer for 16 years, Ms. Huelskamp began composing at the age of ten with no musical training. In 2000 she began studies in composition and flute at the University of Missouri-Columbia where she earned a Bachelor of Music in both composition and flute performance; she studied composition with Thomas McKenney and Stefan Freund and flute with Steven Geibel. In 2007, Ms. Huelskamp completed a Master of Music in Composition from the Boston Conservatory, where she studied with Andy Vores, Dana Brayton, and later Ken Ueno.

To learn more about Erin, visit her at http://erinhuelskamp.com

••••••••••••••••••••

About The Boston New Music Initiative

The Boston New Music Initiative is an organization committed to the composition and performance of new music on the local, national, and international fronts. Founded in 2009, the Initiative's vision is to establish a network of composers, performers, conductors, directors, and champions of new music in order to generate new music concerts, compositions, collaborations, and commissions.

Visit: http://www.bostonnewmusic.org/

"

Another quote

Here's another quote from an article of Huelskamp yore:


“I founded Juventas with two other young composers who felt there was a flaw in the ‘system’. Instead of ‘whining’ … we decided to take initiative and form an ensemble that focuses on giving amazing performances of music by primarily young, living composers, and to perform this music as repertoire—meaning more than once. Since that time, we have worked diligently to form a community of supporters for our mission. Juventas, as it stands, is the result. I encourage you all to do the same. If you see a problem with the way ensembles, calls-for-scores, competitions, etc., are run … then create something that supports your ideas.”

-Erin Huelskamp, Executive Director & Co-founder, Juventas New Music Ensemble (Boston), post on SCIMEMBERS listserve, 01-MAR-2008. Chamber Music Today “We Are All Illegal Aliens Now: Ageism in Calls-for-Scores and Competitions as Quasi-Immigration Policy?”

Techno gone twisted: Review of Lukas Ligiti

My new review of Lukas Ligiti's CD Afrikan Machinery is up at Boston Lowbrow. Check it out here:
Techno gone twisted: Lukas Ligeti’s “Afrikan Machinery” is eclectic and shifting to the extreme

Stage Directing Der Zwerg - reviews, pics, and press mentions

Those of you who know me well know that I have been crazy busy over the past few weeks stage directing Der Zwerg with the company OperaHub.  Here are a few press mentions and reviews along with a couple of press pics for you to enjoy.  More pics from the production to come soon...

A loose bunch
The Boston Globe

Culture Vulture: See ‘The Dwarf’

The Arts Fuse

From Lloyd Schwartz and The Pheonix:

"PS: Speaking of teamwork: kudos to OperaHub for its highly imaginative production of a true rarity, Alexander Zemlinsky's moving one-act, Der Zwerg ("The Dwarf"), in four free (!) performances at the BCA. Everything worked."

The pics below feature Sean Malkus, tenor (The Dwarf) and Erin Pedersen, soprano (Infanta). Pics are by Keith Collier from Cayuga Strategies, LLC.