Showing posts with label stage direction. Show all posts
Showing posts with label stage direction. Show all posts

Saturday, June 8, 2013

Review #2: “The Magic Mirror”: Window Into Another World

The Magic Mirror review #2. Here's some quotes:

The Magic Mirror succeeds, most of all, in elegance. Characters move through a sumptuous world, wandering along whirls of purple and blue on the floor, moving through dark woods and bright cottages.
Also:

Still, it’s a beautiful show. The contemporary instrumentals...define a world of sharp edges and deadly consequences. The Magic Mirror unfolds like an eerie dream...always mesmerizing for the audience.

Read the full review here:

“The Magic Mirror”: Window Into Another World


Monday, June 3, 2013

Review #1 - Magic Mirror: A Russian Sleeping Beauty Awakens

Quotes from our first review:

There is a psychologically complex horror at work here, and its unfolding is the most dramatically satisfying element of the opera. Karapetian’s Queen is full of dignity and pathos, while Weiman’s Evil Queen is terrifying, simultaneously repugnant and compelling. Red-haired, dressed in black dress and with black nail-polish, Weiman’s powerful voice, devouring smile and dramatic fearlessness fill the small space with dread and threat.
Also:

At its best, The Magic Mirror has moments where musical language and dramatic action come together thrillingly: at the decidedly un-Tristanesque potion-drinking by the King; at the Princess’s apparent death; at moments of transition in the engagement celebration...If The Magic Mirror is not quite a major re-interpretation of a popular fable, it is nevertheless an appealing, accessible and occasionally brilliant early work that should be of interest to audiences seeking new takes on traditional opera.

Read the full review here:

A Russian Sleeping Beauty Awakens


Friday, May 31, 2013

Magic Mirror in the news and pics

Here's a couple pics, comments and articles about The Magic Mirror production this weekend May 30-June 1.

Here is what Steven Lipsitt, the conductor of the Boston Classical Orchestra said about The Magic Mirror:

If you enjoy the operas of Tchaikovsky & Mussorgsky, go see "Magic Mirror" at Boston Center for the Arts. A world premiere by the 26-year-old(!) Polina Nazaykinskaya, it's a grand opera packed into a 65-minute two-act piece in a 100-seat BlackBox theater. Expertly sung, played, & conducted --- a first-class enterprise. (And air-conditioned...) ;>)

hugecity.us named Magic Mirror as a "Top 10 Boston Pick" this week. AND, The New England Theatre Geek ran a nice promo post on the show.  Promo: The Magic Mirror. I hope you can make it.

Thursday, May 30th at 8 p.m.
Friday, May 31st at 8 p.m.
Saturday, June 1st at 3 p.m.
Saturday, June 1st at 8 p.m.
Tickets available here!

BCA Plaza Theatre
539 Tremont Street
Boston, MA

Tickets: $20/ $15
Box Office at 617-933-8600










Wednesday, May 8, 2013

Summer 2013 Activity



It's gonna be a busy summer, and that's good. I hope you can make it to one or more of my upcoming events. Stay tuned for details as the summer progresses.

Here's the line-up:

The Magic Mirror
World premiere opera by Polina Nazaykinskaya
Erin Huelskamp, director
Lidiya Yankovskaya, music director

May 30-June 1, 2013
BCA Plaza Theatre
Boston, MA


Facing Down Death
Featuring scenes 1-6 of The Ten-Block Walk

Music by Erin Huelskamp
Christie Lee Gibson, director
Nick Place, music director

June 21-23, 2013 at 8 pm
10 Channel Center Street
Fort Point, Boston



Two Gentlemen of Verona
Commonwealth Shakespeare Company's Shakespeare on the Common
Steve Maler, director
Erin Huelskamp, assistant director

Various performances throughout July 2013
Boston Common

Thursday, June 10, 2010

Mondo-intensive months

I took on too much.  I know I know…I’m an artist.  It’s what we do.  In order to make any semblance of a living through composition, new music, opera, choreography or stage directing, I always take as many paying projects as I can. Some day, hopefully sooner rather than later, I’ll be able to take on fewer projects that pay more.  This time, however, I overloaded myself.  Just to give you an idea - I started a new job in public speaking that suddenly required 40+ hours of time a week coupled with assistant directing/producing the Juventas Opera Project, stage managing the TCAN Players production of Twentieth Century, learning a new script as a Boston Chocolate Walking Tours Tourguide, while maintaining my position at Cecilia and attempt to have a bit of a social life.  The later failed as I am sure you can imagine.  Now, I’m just coming out of a couple months of mondo-intensive work and I am looking forward to a bit of chill time. 

Working so much definitely forced me to re-evaluate my priorities.  Now I am trying to narrow my focus, so I have already left the public speaking position.  I gave it a good shot, but that particular position turned out to be more work than it was worth. I’m back to gigging around town and drumming up funding for the many projects I have floating around my mind.  So that’s a little catch up on my life.

At this very moment, I’m flying somewhere over Utah on my way to LA for the Opera America Conference.  My hope is to blog or at the very least tweet my way through the conference, so stay tuned for the excitement. 

Monday, April 12, 2010

Der Zwerg Pics!


I finally have them!  Pictures from OperaHub's production of Zemlinsky's Der Zwerg...yeah, the one I stage directed!  Check them out and leave a comment if you like them.  If you missed the show, don't fret.  I *might* (it really depends on the quality of the video) schedule a viewing party with music director Julia Carey.  More to come...

Pics are by Marion Cohen. Enjoy!

(The three maids and Ghita admiring a gift for the Infanta)

(The Infanta's Entourage)



(Don Estoban prepares for the Infanta's birthday party)


(The Dwarf - both his imagined self [singer] and real self [dancer] - and the Infanta)






(The Dwarf sees himself in the mirror for the first time and discovers he is hideous)

(The Infanta calls him an animal and not a man)



(The Dwarf dies and only Ghita cares)

Tuesday, March 16, 2010

Stage Directing Der Zwerg - reviews, pics, and press mentions

Those of you who know me well know that I have been crazy busy over the past few weeks stage directing Der Zwerg with the company OperaHub.  Here are a few press mentions and reviews along with a couple of press pics for you to enjoy.  More pics from the production to come soon...



A loose bunch
The Boston Globe

Culture Vulture: See ‘The Dwarf’
The Arts Fuse

"PS: Speaking of teamwork: kudos to OperaHub for its highly imaginative production of a true rarity, Alexander Zemlinsky's moving one-act, Der Zwerg ("The Dwarf"), in four free (!) performances at the BCA. Everything worked."

The pics below feature Sean Malkus, tenor (The Dwarf) and Erin Pedersen, soprano (Infanta). Pics are by Keith Collier from Cayuga Strategies, LLC.